Skinless: Works Cited in the Text

A little more insight into Skinless, Charmay. . .

I thought you might get a kick out of looking through the references I used in this Psychological Crime Fiction novel. The amount of literature, poetry, theatre, film that is referenced adds a nice twist to the genre feel, and character’s interests and inner life. (There have been a few edits since this was created, so forgive a page or two difference from what may be listed here).

 Works cited in the text Skinless:

  • Alice in Wonderland, 28
  • “Amazing Grace,” the snow globe Rex gives Charmay places the spiritual, 106
  • “A-Train,” 72
  • Angel Heart, 1987, neo-noir psychological thriller, Charmay likes the film, 21
  • “Angie,” (1973) Stones song, Charmay thinks of it near the end of the book when Sam comes back after the fight, 315
  • Arms and the Man,George Barnard Shaw.  Charmay tells Tex she’s studying in her script analysis class, Rex tells her it was Marlon Brandon’s stage swan song (1953); both of them like the play, 171,172, 173
  • Baby Doll, film, based on Tennessee Williams’s 27 Wagons Full of Cotton, 1956
  • Bach concerto, 83
  • Backstage, where Charmay looks for auditions, 150, 221
  • Barbarella, character, 223
  • Beaudelaire (1821-1867), French poet, 7
  • The Bell Curve: Intelligence and Class Structure in American Life, by political scientist Harvard man Charles Murray, 111
  • Bible, 113
  • Blueprint 3, Jay Z album, 88 
  • Body Heat, 326
  • Bonnie and Clyde, 326
  • “Born to Be Wild,” Sam sings his version while cooking, 126
  • Breakfast at Tiffany’s, (1961), 40
  • Bus Stop, 257
  • Business of Acting, 111
  • “But Not for Me,” by George Gershwin, 224, 225
  • Caged Bird, (1969) I Know Why the Caged Bird Sings, Maya Angelou, one of Charmay’s faves, 108
  • Caligula, 1979, 49
  • Canadian Newspaper, where Charmay and Sam’s Las Vegas wedding pictures ended up on the cover, 75
  • Carrie, Charmay’s aborted fetus calls up the Stephen King horror film, 355
  • Cat on a Hot Tin Roof,  Tennessee Williams, 96
  • Caravan of Dreams, Idries Shah, 1968, 272
  • Casablanca, 151
  • Chopin, “Nocturne, op 9, no. 2,” 294
  • Color Purple, (1982), Alice Walker, one of Charmay’s faves, 108
  • “Cry like a Baby,” Roberta Flack, a song Charmay performs for Rex, 84, 227
  • Danger: Diabolik, 1968 film, 89
  • Dead Eye Boy, The, 237
  • Divorce American Style, 253
  • Family Feud, TV game show, 155
  • Fantasia, 127
  • Elementary Gazette, Charmay’ school paper, 49
  • Enquirer, 292
  • Entertainment Weekly, 313
  • Faster, Pussycat! Kill! Kill!, Russ Meyer film, Charmay boasts to Sam’s parents that a director has asked her to study a part from the cult class, 225
  • Fear of Flying, Erica Jong, 325
  • Fool for Love, Sam Shepherd, Charmay played May, 94
  • Fortune, 199
  • “Four Quartets 4: Little Gidding,” T. S. Eliot’s, 265
  • Friendship, 128
  • “Für Elise,” Beethoven’s bagatelle, tune playing on a ballerina music box of Charmay’s childhood, 57, 107
  • Gemstones of the World, a book from Drew’s mom, 176
  • Gift of the Magi, The, O’Henry story, Charmay thinks she should have used this reference instead of The Muse, at Sam’s shrink’s, 203
  • Gilda, namely Rita Hayworth, 257
  • “Girls, Girls, Girls” Motley Crue, 53
  • Giselle, from Lion King 218
  • The Glass Menagerie, Williams, Sam compares Charmay’s daydreaming to Laura in the play, Charmay had play Laura at Stella Adler’s, 96
  • Grinch, character’s name from How the Grinch Stole Christmas, 162, 185, 295
  • Hatful of Rain, Gazzo, Charmay tells Rex she’s playing the lead, 150, 151
  • Home Cooking, name of magazine at Sam’s shrinks’, 199
  • “Honey in My Honeycomb,: Ethel Waters, 59
  • “Hot Legs,” song Sam sings while cooking, 126
  • How the Grinch Stole Christmas, opening lines of the song from, 295
  • “Hush,” by Maggie Moor, 122, 123, 304
  • Importance of Being Earnest, The, 151
  • “I Thought About You,” Johnny Mercer, 224
  • James Joyce’s The Dead Broadway musical production with Christopher Walken (1999), 269
  • Jetsons, The, 154
  • Kama Sutra, 35
  • Kids, magazine at Sam’s shrink, 199
  • Last Exit to Brooklyn, 21
  • Last Seduction, The, 1994, 292
  • “Lilac Whine,” song by James Shelton, 1950; Charmay tunes into the song when she’s with Rex at Hudson’s, 69
  • Lion King, The, 226
  • Little Lord Fauntleroy by Frances Hodgson Burnett, 8
  • “Love Potion Number Nine,” Searchers, 186
  • Lucia di Lammermoor, Donizetti, 85
  • Magnolia, film of P. T. Anderson (2000), 27
  • Maltese Falcon, Falcon, 327, 331
  • Miss Sadie, Rita Hayworth film, 257
  • Moby Dick, 338
  • Modigliani painting, 28
  • Mozart’s “Allegro” from A Little Night Music, 184
  • Muse, The, 291
  • “My Mother’s Son-in-Law,” 185
  • National Geographic Nautical Photographs, 110
  • New Rose Hotel (1998), 264
  • New Testament, 113
  • New Yorker, The, 236, 237
  • Night before Christmas, 338
  • 91/2 Weeks, film, Charmay tells Sam Rex is obsessed with the film, 118, 263
  • “numb”, Beth Orton, Portishead, 50
  • Old Testament, 113
  • Oz, 31
  • Paris Nightlife, Picasso painting, 245
  • “Pearly Gates, The” Barostti cartoon, 237
  • Pope of Greenwich Village, (1984) 21
  • Porter, Cole; standards, 221
  • Post, The, copy in the pocket of the Lucky Strike owner, 248
  • Pride and Prejudice, 199
  • Rainman, 343
  • Requiem for a Dream, 268
  • River of No Return (1954), 257
  • “Run This Town,” Jay-Z, 88
  • Sacred Dance, 36
  • Sea of Love, 19889, film, 268
  • Sex in the City (1998), 320
  • Short Cuts, 237
  • Simpsons, 163
  • Sleeper, 174
  • Sopranos, second season, 226, 320
  • Spiderman, 263
  • Spoon River Anthology, 69
  • Starry Night, Van Gogh, 1889, 199
  • “Sussudio,” by Phil Collins (1985), 187
  • Taming of the Shrew, 25
  • Times, The, 237
  • True Romance, 1993, pop culture film, Charmay likes, 21, 76, 268
  • Twenty-Four Hours A Day, Hazelden. Daily meditations, 281
  • Water Lilies, Monet, 1914-1926, 199
  • Whatever Happened to Baby Jane?, 117
  • When God Was a Woman, by Merlin Stone, a book Charmay read in Marin, 36
  • “Where is Everybody?” Nine Inch Nails song, 291
  • Where the Wild Things Are, 116
  • Who’s Afraid of Virginia Woolf, Charmay and Sam had played Martha and George in the Albee play at the Adler studio, 89
  • Why Do I Feel Nothing Without a Man, book mom reads, 72
  • Wicked, 240
  • Yellow Pages, Mom uses them, 282, 293
  • “You Can Leave Your Hat On,” 118, 263
  • The Young and the Restless, soap opera, 245                                                 [LINK to SKINLESS: MY WHY?]

 

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Austin Macauley Publishers, LLC.
40 Wall Street, 28th Floor
New York, NY 10005
(646) 512-5767

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